Pitching and Pricing: Navigating Fees and When to Negotiate

Journalism is strange. It’s the only type of contract job we can think of where the ‘customer’ determines the fees rather than the person doing the work.

If you become a painter & decorator, a plumber or a tutor, you get to set the price. If you own a business selling anything from jewellery to secondhand books, you decide what to charge.

But if you want to sell a feature, you are told what a publication’s rates are rather than the other way around. When you’re pitching, you don’t say what the price of your article is – you wait to be told once it is accepted.

So what can you do if you don’t think it’s enough? Of course, you can try asking for more. Sometimes, a commissioning editor will be able to increase the fee if you make a good case for it, but often, their hands are tied by their budgets. Be careful about asking – if it’s a pretty standard feature for the publication or fills a particular slot, it’s nearly always a case of like it or lump it. (This is especially the case for new writers). That being said, a professional publication knows they need to pay for quality submissions, so it’s unlikely you will be offered a lowball rate; it really may be the going rate for that slot/ publication. 

We suggest that you have a price in mind when you pitch based on how long something will take you. If you have a really unique story, then factor that in, too.  If a publication offers you less than that, it’s fine to tell them it isn’t enough and take your idea elsewhere. But be realistic if you do that – you need to be confident you can get more for it somewhere else.

 
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